FROM a leafy corner of Oxford, author Cara Hunter (right) has found
a comfortable perch on the upper branches of the flourishing crime-writing
tree, penning chilling, thrilling and gripping novels set in the city that
spawned the unforgettable Inspector Morse.
Steeped in gritty reality, spine-tingling tension and
clever, complex detective work, rendered so authentic that you feel like you
are tagging along with the murder squad, Hunter’s crime series has won
widespread acclaim for its artful plotting and an original narrative device
which features news reports, social media posts, police interviews and
scene-of-crime evidence, allowing readers intriguing insights into a police
investigation.
The result is superbly crafted, fast-paced mysteries
starring a cast of compelling characters from all walks of life, contemporary
issues that are often hard-hitting and deeply emotive, and stories with more
twists and turns than a snakes-and-ladders board.
And now the bestselling DI Fawley series is to be adapted for
the small screen by television producer and screenwriter Daisy Coulam – best known
for writing ITV smash hit Grantchester and Channel 4’s Deadwater Fell – in
tandem with production company Castlefield TV.
The series has now sold over 1.1 million copies across all
formats, with a Cara Hunter book bought every two minutes in the UK. And the
fifth book in the series, The Whole Truth, is set to be published on March 18.
Commenting on the adaptation, Castlefield directors Simon
Judd and Hilary Martin said Daisy Coulam was the dream choice to bring Adam
Fawley and his team to life on screen. Coulam added: ‘From the moment I
picked up the first novel in the DI Fawley series, I was hooked. Cara’s books
are deliciously dark and visceral, delivering twist after shocking twist. I can’t
wait to bring DI Fawley and his team to the small screen.’
Hunter, who lives in Oxford on a street not unlike those
featured in her books, is delighted at the news and commented: ‘First
Castlefield and now Daisy Coulam. This is a dream team and no mistake.’
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