Kayte Nunn
WHEN an Australian history teacher arrives to take up a new
post in an exclusive boarding school in the English countryside, she starts to
uncover centuries-old secrets of witchcraft and persecution.
The old Silk House has a dark and disturbing past, and
ghosts from its days as the home and workplace of a wealthy silk merchant are
determined to make themselves heard.
Kayte Nunn (pictured below), bestselling author of the acclaimed novel, The
Botanist’s Daughter, returns to thrill and chill us with her new historical mystery…
a gripping gothic tale which explores the murky world of silk weaving,
embroidery, herbalism and witchcraft in the 18th century.
On a visit to the Victoria and Albert Museum in London, Nunn
was inspired by an extraordinary silk gown – woven with sprays of flowers and
designed by renowned silk designer Anna Maria Garthwaite – and the seeds of her
haunting and heartbreaking story were sown.
After 150 years as an all-boys school, the college has its
first intake of girls and Thea will be in charge of the fourteen 16-year-olds
at the Silk House, a dark and shadowy building with a long and troubled past
hiding more mysteries than she could ever imagine.
Click HERE for Lancashire Post review
Wind the clock back to 1768 and we meet teenager Rowan Caswell who leaves her small village in Wiltshire to take up a post as maid-of-all-work in the home of English silk merchant Patrick Hollander and his wife Caroline. Born with a misshapen face and white blonde hair – which some believe is the sign of a witch – Rowan is thrust into a new and dangerous world where she sees shadows flitting around her and hears spine-chilling screeches, and where her talent for herbs and healing starts to attract attention.
Meanwhile, in London, 35-year-old Mary-Louise Stephenson lives with her widowed sister amid the clatter of the weaving trade and dreams of becoming a silk designer, a job that is generally
the domain of men. The two women are down to their last few pounds when they receive an unexpected caller… wealthy silk merchant Patrick Hollander is looking for fabric designs to set his company apart and he is impressed with Mary’s work inspired by flowers and plants of the field and wayside rather than the more traditional exotic blooms.Arriving in the market town of Oxleigh, the ambitious and
gifted designer brings with her a length of fabric woven with a pattern of
deadly plants which will have far-reaching consequences for all who live at the
Silk House.
And over 250 years later, Thea Rust, who has never believed
in magic or the supernatural, begins to wonder if this troubled house is home
to not just secrets from the past… but ghosts who will not rest until their
story has been told.
Using her extensive research and a richly detailed backdrop, Nunn takes us into the heart of the chequered and fascinating history of the lucrative British silk industry which produced some of the most striking botanical-patterned fabrics in the world. Weaving seamlessly between past and present, and featuring the powerful narrative voices of three very different women, Nunn delivers an atmospheric stunner… a multi-layered and suspense-packed ghost story full of shapes, shadows, ethereal music, bumps in the night and restless spirits.
But The Silk House also comes with a compelling, contemporary
feminist vibe which speaks loudly about the mistreatment of women in
male-dominated worlds. The fear and suspicion that has historically surrounded ‘wise’
women who use the healing powers of herbs and plants, and the constant threat
of witchcraft accusations and society’s barbarous punishments, spring to vivid
life as old truths are revealed and the sense of menace grows.
The clever dual timeline allows readers to compare and
contrast the challenges faced by women in both the 18th and 21st
centuries whilst celebrating their inner strength, resilience and determination
to follow their dreams and ambitions whatever the obstacles they may face. Part mystery, part thriller, part historical odyssey, this
is the perfect evocative and escapist read to fill the long days and nights of
lockdown.
(Orion, paperback, £8.99)
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