Lynda La Plante
WHEN you’re one of the very best crime writers in the
business, can boast a pioneering career stretching back almost seven decades,
and have brought us unforgettable icons of screen and book like gangland dame
Dolly Rawlins of Widows fame and groundbreaking Prime Suspect detective Jane
Tennison, reaching the age of eighty was never going to dull your creative
juices.
Liverpool-born Lynda La Plante has achieved success and
awards beyond the dreams of most crime authors – three BAFTAs, a BAFTA
Fellowship, an Emmy award, a British Film Institute Fellowship, a Royal
Television Society award, an Edgar, and a CBE to name just some – so it’s good
to report that this born storyteller is most certainly not resting on her
laurels.
Not content with a full complement of dazzling detective-led
crime thrillers, La Plante (pictured below) has found fresh and fertile territory for a brand
new series set in the fascinating world of forensic science and starring young
and ambitious CSI officer Jessica Russell who has been tasked with heading up a
fledgling Met police crime analysis unit with a high stakes remit… get results
or the team is scrapped.
Star of the show is 34-year-old Jessica Russell, an experienced CSI officer working out of Scotland Yard with the Met police. She has a joint first-class honours degree in psychology and criminology, an exceptional Masters degree in investigative psychology and behaviour analysis, and there could be no better candidate to head up a new Murder and Serious Crime Analysis (MSCAN) team. It’s a job that is entirely new to Jessica but it brings together a team of two other CSI officers she has worked with and trusts implicitly – DNA specialist Diane Thomas and fingerprint expert Stephen (Taff) Jones – who, between them, have dealt with every kind of murder and major crime scene.
But not everyone is happy with the new unit… DCI John
Anderson – senior investigating officer on the Barking homicide team and known
to be ‘out of his depth’ – is sceptical about Jessica leading the team, resents
the possible clash with other crime scene managers, and there are also concerns
over the running costs.
Add on Jessica’s ongoing obsessive-compulsive disorder after
a trauma that ended her training as a probation officer, and the responsibilities
of caring for her vulnerable twin brother, David – whose life spiralled into
drink and drug addiction after the death of their mother from cancer – and her
life is far from smooth on the domestic front.
But it’s all systems go when Johan De Klerk – a wine importer from Cape Town and the husband of Michelle Belsham, a prominent and infamously ruthless barrister who has ruffled many feathers – is found horrifically injured after a robbery and brutal assault at their upmarket London home. De Klerk is in a coma in hospital and a major investigation is launched using the newly formed and experimental MSCAN unit who must piece together the complex puzzle at the heart of this brutal crime.
If it was a robbery gone horrifically wrong, what was so
important to have been stolen? The team is under immense pressure for instant
results but they know that one careless decision, one wrong accusation from Jessica
or her team, and at least one of their detractors would be all too happy to
close down the unit for good.
Working in the Eighties, a time of entrenched gender inequality and rampant male chauvinism, La Plante herself faced innumerable obstacles both in front of and behind the camera, and her books and scripts broke down stereotypes and blazed a trail for others along the way. And this hard-hitting writer – aided and abetted by her fiery, flame-haired new protagonist – is still hot on the trail of any hint of male arrogance, ineptitude or overbearing superiority as Jessica and her charismatic, newly-minted team of experts move into gear and take us above and beyond the more familiar territory of a crime investigation.
It’s an eye-opening and intriguing world in which DNA, blood patterns, fibres, fingerprints, footwear, tools and weapon-mark comparisons can help to solve serious crimes, providing the crucial, damning evidence which will ultimately make the difference between the police winning or losing a case. At the helm is behavioural psychological expert Jessica, a highly competent but fallible woman struggling to overcome the trauma of an event in her past, coping with the unpredictable behaviour of her beloved twin brother, and under pressure to get results in a case that could make or break her team.
Weaving a fast-paced, thrilling murder plot between the intricate
and endlessly riveting work of the forensic experts requires a special kind of
magic and it’s one that La Plante plays to perfection with her trademark
authenticity, eye for rich detail and exquisite characterisation. To miss it really
would be a crime!
(Zaffre, hardback, £22)
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