Claire Parkin
WHEN you have a (well-earned!) reputation as the village
snooper, busybody and all-round ten-year-old troublemaker, how on earth do you
convince your sceptical elders that you are the sole witness to a murder?
After the huge success of her debut book, The Final Hours of
Muriel Hinchcliffe – a darkly comic novel about two elderly women’s lifelong, toxic
friendship and the fine line between love and hate – Claire Parkin (pictured below) returns with
a wonderfully visceral and boldly original comedy murder mystery set in her
Welsh homeland during the miners’ strike of 1984.
Tell Tale stars an angry, straight-talking, innately clever girl from a deprived home whose payback for her life lived as a virtual outcast is to spy on the folk in her well-heeled Welsh village and manipulate, purely for her own amusement, rising community tensions from the industrial unrest. The result is a story full of a child’s raw honesty, boundless mischief and uncompromising worldview set alongside a searing, and often colourful, insight into the lives of those caught up in the feuds, scandals and gossip of small village life, and the struggles and bitterness of a hard-hitting strike.
In Wales in 1984, in the small village of Llanfair – a place of handsome red-brick Victorian villas and trimmed front lawns – the most notorious busybody, young Debbie-Marie Tunstall, a victim of the bullies from an early age, has really gone and done it this time.And now that her merciless announcements of the observations
she records in her much-cherished Kajagoogoo notebook have got her into so much
trouble that even her single parent mum can’t defend her, Debbie has been
referred to child psychologist Dr Vanessa Bridges to save her from being
expelled from school.
But not all the residents of Llanfair are unsympathetic to
Debbie… former headteacher Barbara Pritchard – who swore on her retirement that
she would rather ‘sell her soul to Satan’ than face a child or its ‘ghastly
parents’ ever again – regards Debbie as a different kettle of
fish. Frank, fearless and feisty, this girl, she concludes, is a ‘misunderstood
genius.’
And Barbara’s 31-year-old nephew Robert Hargreaves, a
bartender at his dad’s pub in Llanfair, is himself a victim of childhood
bullying. He is still grieving the death of his beloved mother a year ago and
Debbie counts him as one of her friends as he is always willing to talk to her.
But her latest snooping and mischief has left even her few friends baffled and Debbie feels she has no choice but to run away into ‘the wilderness,’ only to find herself the sole witness to a murder. And from a decades-old tragedy to the immediate danger of a potential serial killer on the loose, Debbie decides to take it upon herself to piece together both the recent murder and the older mystery. Problem is that even if she uncovers the truth, will anyone believe the village’s biggest tell-tale? Because in Llanfair, secrets are buried just beneath the surface, and what Debbie has inadvertently stumbled upon could unravel the very fabric of her community…
Parkin brings us a cast of larger-than-life characters – some of them the familiar stalwarts of any small village and others who are instantly recognisable as the disruptors and aggressors – as a ruthless killer wreaks havoc on the residents of Llanfair. Written through the alternating first person perspective of the irrepressible and delightfully knowing Debbie and the third person accounts of child psychologist Vanessa, who has a genuine sense of purpose to help kids like Debbie, retired headmistress Barbara who alone recognises the child’s intelligence, and caring but self-doubting Robert, unearthing the murderer’s identity gradually comes full circle.
But also at the heart of the story is the dichotomy between
the neighbouring villages of Llanfair and Barwood. They might only be three
miles apart but it could well be three thousand miles, with mining village
Barwood closely bound by a profound solidarity over the strike, and Llanfair
boasting the most prosperous population in the county and yet still unhappy
with its lot.
Packed with nostalgia-laden references to the social life
and times of the Eighties, featuring a delightful brand of dark humour
juxtaposed with some weighty emotional grit, and armed with a growing sense of
suspense, a few unexpected twists and turns, and a delightful sting in its
tail, this is a murder mystery to read and relish.
(Macmillan, hardback, £20)


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